Print Eblir 2 is a light, narrow, medium contrast, italic, short x-height font.
Keywords: posters, book covers, packaging, headlines, greeting cards, casual, quirky, airy, friendly, artful, human touch, informality, playfulness, handmade feel, approachability, hand-drawn, organic, sketchy, textured, lively.
A hand-drawn print style with slender, slightly right-leaning letterforms and an uneven, organic stroke. Curves are loosely drawn with subtle wobble, and terminals often taper or hook as if made with a quick pen or brush. Proportions vary from glyph to glyph, with irregular widths and soft baseline bounce that create an informal rhythm. Capitals stay relatively simple and open, while lowercase forms are compact with modest ascenders/descenders and a lightly jittered contour that reads clearly at display sizes.
Best suited for short-to-medium display text where its hand-drawn texture can be appreciated, such as posters, book covers, packaging, and editorial headlines. It also works well for greeting cards, invitations, and playful branding that benefits from an informal, human touch. For long small-size text, the uneven stroke and variable spacing may read busy, so larger sizes are a better fit.
The overall tone feels casual and personable, like quick handwritten notes or playful captions. Its irregularity and gentle movement give it a quirky, human warmth rather than a polished, corporate voice. The texture suggests spontaneity and a lightly whimsical, storybook-like character.
The design appears intended to capture the natural variation of quick pen lettering while staying readable in a print-like, unconnected style. By keeping forms open and familiar but allowing wobbly contours and tapered terminals, it balances clarity with a distinctly handmade personality.
Spacing appears intentionally loose and variable, reinforcing the hand-rendered feel and preventing a rigid, mechanical texture. Numerals share the same drawn quality, with simplified shapes and slight inconsistencies that keep them visually cohesive with the letters. Round forms (like O/C/G) remain open and breathable, helping legibility despite the sketchy stroke edges.