Print Jobiy 3 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Crispy Yellow' by Bogstav, 'Romper' and 'Timeout' by DearType, 'MVB Diazo' by MVB, and 'Cutney' by Twinletter (names referenced only for comparison).
Keywords: children’s media, posters, packaging, headlines, stickers, playful, friendly, bubbly, kidlike, casual, approachability, handmade feel, bold impact, cheerful tone, simple readability, rounded, soft, blunt terminals, chunky, cartoonish.
A heavy, rounded handwritten print with soft, bulbous forms and consistently thick strokes. Terminals are blunt and smoothly curved, giving letters a pillowy silhouette with minimal sharp corners. Counters are compact and irregularly sized, and the overall rhythm leans bouncy with small, natural variations in curvature and proportions from glyph to glyph. Uppercase forms are simple and blocky, while lowercase keeps a single-story ‘a’ and ‘g’ and generally avoids complex construction. Numerals match the same inflated, friendly shapes, with broad curves and tight interior spaces.
Best suited to short, high-impact text such as posters, playful headlines, kids’ content, classroom materials, packaging for treats or toys, stickers, and casual social graphics. It also works well for branding that aims to feel friendly and handcrafted, particularly when set at medium to large sizes.
The font conveys an upbeat, approachable tone that feels informal and humorous. Its rounded mass and hand-drawn unevenness suggest warmth and spontaneity, making it read as lighthearted and child-friendly rather than formal or technical.
The design appears intended to deliver a bold, hand-drawn presence with soft geometry—prioritizing charm and immediacy over precision. Its simplified, rounded letterforms and consistent stroke thickness aim for easy recognition and a fun, approachable voice.
Spacing appears moderately open for such heavy shapes, helping the dense strokes remain readable in short lines. The thick weight and small counters can cause dark texture in longer paragraphs, especially at smaller sizes, where interiors begin to close up.