Sans Other Sepy 7 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, ui labels, tech, futuristic, retro, industrial, game ui, modular design, digital display, tech branding, sci-fi tone, rectilinear, angular, squared, modular, monoline.
A rectilinear, modular sans with squared counters and crisp right-angle terminals. Strokes are monoline and consistently weighted, with geometry built from straight segments and only minimal rounding, giving many letters an octagonal or boxy feel. Capitals are tall and compact with wide apertures kept under control by sharp interior corners; diagonals (A, K, V, W, X, Y) remain straight and clean, while curved letters are interpreted as faceted forms. Lowercase keeps a similar construction, with a single-storey a and boxy bowls that emphasize a grid-like rhythm; figures are similarly squared and mechanical, including an angular 2 and a structured, segmented 8.
Best suited to display applications where its geometric character can lead: headlines, tech or gaming branding, posters, packaging, and interface labels. It can work for short blocks of text in UI or editorial settings when set with adequate size and generous tracking to keep the angular details clear.
The overall tone reads digital and engineered, evoking sci‑fi interfaces, retro computing, and arcade-era display typography. Its sharp geometry and modular rhythm feel assertive and functional, with a distinctly technical voice rather than a humanist one.
The design appears intended to translate a strict grid into a contemporary sans, prioritizing modular construction and a machine-made presence. It aims for a distinctive, sci‑fi/retro-digital flavor while retaining clear letterforms for practical display use.
Distinctive features include the squared, almost stencil-like inner spaces in B, P, R, and 8, plus a Q with a clear tail treatment and a g with an angular, single-storey construction. The texture in text is even and crisp, though the hard corners and tight joins make it most comfortable when given a bit of size or spacing in longer strings.