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Sans Superellipse Hobud 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Allotrope' by Kostic, 'Akko' by Linotype, 'Sans Beam' by Stawix, and 'Obvia Condensed' by Typefolio (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logotypes, compact, assertive, industrial, sporty, friendly, space saving, high impact, branding, modern utility, blocky, rounded, squarish, condensed, high-impact.


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A compact, heavy sans with rounded-rectangle construction and softly squared curves throughout. Strokes are uniform and thick, with minimal modulation; counters are tight and often vertically oriented, giving the design a dense, efficient texture. Terminals are mostly flat with eased corners, and joins feel sturdy and engineered rather than calligraphic. The lowercase shows a short, compact silhouette with simple forms and a single-storey a, while figures are similarly stout and space-conscious for strong lineup consistency.

This font is best used where impact and compactness matter: headlines, posters, packaging panels, labels, and short-run signage. It also works well for bold wordmarks and badges where its rounded-rect geometry can become a recognizable brand cue. For longer passages, it benefits from generous size and leading to keep the texture from feeling overly dense.

The overall tone is bold and no-nonsense, with a confident, poster-like presence. Its rounded corners keep the voice approachable, but the dense proportions and tight counters push it toward a forceful, utilitarian feel. It reads as contemporary and energetic, suited to messages that need to land quickly and with authority.

The design appears intended to deliver maximum visual weight in a tight horizontal footprint, using rounded-rectangle geometry to stay friendly while remaining strong. Its consistent, low-modulation strokes and simplified shapes suggest a focus on clarity, durability, and high-impact display use.

Spacing appears deliberately tight, creating a dark, continuous rhythm that rewards larger sizes. The squarish rounds and narrow apertures can reduce distinctiveness in smaller text, but they contribute to a cohesive, punchy headline color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸