Sans Other Soti 6 is a regular weight, normal width, low contrast, upright, tall x-height font.
Keywords: display, headlines, posters, branding, ui titles, techno, modular, retro, industrial, angular, futuristic feel, modular geometry, industrial voice, digital aesthetic, geometric, rectilinear, squared, monolinear, cornered.
A rectilinear sans built from straight strokes and sharp corners, with a monolinear feel and minimal curvature. Counters are mostly squared or polygonal, and many joins read as cut or chamfered rather than smoothly rounded, giving glyphs a constructed, modular look. The rhythm is slightly irregular due to the mix of open forms (like C and S) and boxy closed shapes (like O and 0), producing a distinctive, engineered texture in text. Numerals and capitals follow the same angular logic, with simplified diagonals and flattened terminals that reinforce the gridlike geometry.
Best suited to display contexts where its angular geometry can be appreciated: headlines, posters, game and sci‑fi themed graphics, tech branding, and UI titles or interface labels. It can also work for short subheads and callouts where a constructed, digital tone is desired.
The overall tone is technical and futuristic with a retro-digital edge, reminiscent of sci‑fi interfaces, arcade-era lettering, and industrial labeling. Its sharp, schematic shapes feel precise and machine-made, projecting a cool, utilitarian personality rather than a humanist warmth.
The font appears intended to translate a grid-based, engineered aesthetic into a clean sans form, prioritizing sharp geometry and modular consistency over neutral conventionality. Its letterforms aim to evoke a futuristic/industrial voice while remaining legible in short phrases and prominent sizes.
The design relies heavily on squared bowls and open apertures, which helps maintain clarity at display sizes while emphasizing a stylized, pixel-adjacent construction. In running text the angular counters and frequent right angles create a crisp, patterned color that stands out from conventional grotesks.