Print Obroz 4 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, children’s, event promos, playful, whimsical, storybook, spooky, rustic, handmade feel, expressive display, informal charm, thematic titling, brushy, textured, organic, irregular, inky.
A lively, hand-drawn display face with chunky strokes, soft curves, and an intentionally uneven, inked texture. Forms show gentle wobble and variable stroke swelling, with tapered terminals and occasional interior cut-ins that suggest a brush or marker dragging and lifting. Counters are generally open and rounded, proportions are slightly condensed in some letters and wider in others, and spacing feels organic rather than strictly uniform. The uppercase has a decorative, poster-like presence, while the lowercase stays simple and readable with single-storey shapes and a casual rhythm; numerals follow the same bouncy, hand-rendered logic.
Best suited to short-to-medium display settings where texture and personality are desirable: posters, titles, packaging, café menus, craft branding, and seasonal/event promotions. It can work for playful or spooky-themed materials, especially when set with generous tracking and comfortable line spacing to keep the lively shapes from feeling crowded.
The overall tone is mischievous and charming—like handmade signage or a storybook title with a hint of Halloween theatrics. Its inky roughness and bouncy rhythm give it a friendly, crafty feel while still reading as bold and attention-seeking.
Designed to emulate expressive hand-lettering with a bold, brushy presence, prioritizing character and immediacy over geometric precision. The consistent wobble and textured interiors aim to make digital type feel handmade and energetic in headline-driven applications.
Round letters (like O/C/G) often show visible inner contouring and uneven thickness, reinforcing the drawn-by-hand character. Descenders and diagonals (such as y, g, k, v, w) add extra motion with swooping strokes and slightly exaggerated joins, which increases personality but also makes long passages feel intentionally informal.