Sans Superellipse Ipzu 2 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'Blak' by Extratype, '1312 Sugoi' by Ezequiel Filoni, and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: sports branding, headlines, posters, logotypes, packaging, sporty, industrial, techy, retro, assertive, impact, speed, branding, futurism, ruggedness, slanted, blocky, rounded, chunky, ink-trap-like.
A heavy, slanted display sans built from rounded-rectangle (superellipse) forms with large corner radii and compact counters. Strokes are monolinear and highly massed, with frequent diagonal slicing and notched joins that create sharp internal breaks and a segmented, stencil-like rhythm across many letters. Curves are softened and squarish rather than circular, and the overall texture is dense and dark, with tight apertures and strong, geometric silhouettes that hold up as large, bold shapes.
Best suited to high-impact display settings such as sports identities, event posters, esports or tech branding, packaging, and attention-grabbing headlines. It can work in short subheads or large UI labels where a rugged, kinetic look is desired, but the dense counters and decorative cuts make it less appropriate for long-form reading at small sizes.
The font reads fast, loud, and mechanical—like branded equipment, speed graphics, or sci‑fi industrial labeling. Its slant and cut-in detailing add motion and aggression, while the rounded geometry keeps it playful enough for retro-futurist and arcade-leaning moods.
The design appears intended to deliver maximum punch and motion through a forward slant, wide stances, and engineered cut details, while keeping forms friendly and contemporary via rounded-rectangle construction. It emphasizes recognizability and brand texture, turning each glyph into a compact, aerodynamic block.
Many glyphs show consistent diagonal cut lines and internal nicks that resemble integrated ink traps or engineered seams, giving the set a distinctive “assembled” feel. Numerals and capitals are especially logo-like, prioritizing silhouette impact over delicate interior space, which makes the design most effective at larger sizes or short bursts of text.