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Free for Commercial Use

Blackletter Enva 3 is a bold, narrow, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, titles, logos, packaging, medieval, gothic, dramatic, ceremonial, old-world, historical tone, display impact, traditional craft, thematic branding, angular, calligraphic, inked, textura-like, ornate.


Free for commercial use
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This face features blackletter-inspired letterforms with dense, dark color and a compact set width. Strokes are built from calligraphic wedges and pointed terminals, with crisp joins and intermittent swelling that suggests a broad-nib pen rather than geometric construction. Capitals are decorative and irregular in silhouette, while lowercase forms maintain a consistent vertical rhythm with sharp shoulders, notched joins, and occasional spur-like projections. Counters are relatively tight and the overall spacing reads sturdy and compact, creating a strong texture in lines of text.

Best suited for display settings where the strong texture and ornate blackletter flavor can be appreciated—such as headlines, poster titles, wordmarks, and themed packaging. It also works well for short passages or drop caps in historical, fantasy, or ceremonial contexts, but is less appropriate for extended small-size reading due to its dense, compact forms.

The overall tone is medieval and ceremonial, evoking manuscript lettering and traditional Germanic/Old English sign styles. Its heavy presence and sharp, inked edges feel dramatic and authoritative, with a slightly hand-rendered liveliness that keeps it from feeling purely mechanical.

The design appears intended to deliver a classic blackletter voice with bold weight and a hand-inked feel, balancing traditional pointed construction with slightly softened, drawn irregularities for character. It prioritizes impact and period atmosphere over neutrality or maximum legibility in long text.

The numerals and punctuation share the same wedge-terminal logic and bold mass, helping the set feel cohesive in display use. At smaller sizes the dense interior spaces can visually fill in, while at larger sizes the angular detailing and calligraphic modulation become more prominent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸