Print Kalun 20 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'CA Cula' by Cape Arcona Type Foundry and 'Delichia' by Wacaksara co (names referenced only for comparison).
Keywords: children’s books, packaging, posters, headlines, stickers, playful, friendly, quirky, casual, bouncy, approachability, handmade feel, bold readability, playful branding, rounded, chunky, soft terminals, irregular, high contrast-free.
A chunky, rounded sans with monoline strokes and softly blunted terminals throughout. Letterforms show hand-drawn irregularities—subtle wobble, uneven curve tension, and slightly inconsistent joins—that create a lively rhythm without sacrificing clarity. Counters are generally open and generous, with compact internal spaces in round forms, and spacing feels intentionally loose and buoyant in text. The overall silhouette reads sturdy and dark, with simplified geometry and minimal sharp corners.
Best suited to short-to-medium text where personality is welcome: children’s materials, playful packaging, casual signage, posters, and expressive headlines. It also works well for labels, stickers, and social graphics where a friendly, handmade feel needs strong presence at small sizes.
The font conveys an upbeat, approachable tone with a humorous, kid-friendly energy. Its soft shapes and slightly uneven construction feel personal and informal, like marker lettering refined for repeatable use. The bold color and rounded forms also give it a cozy, non-threatening presence suited to lighthearted messaging.
The design appears intended to mimic informal marker or brush-pen printing while keeping letterforms simple and highly readable. It prioritizes warmth, softness, and a bold, attention-grabbing texture, using controlled irregularity to avoid a sterile geometric look.
Uppercase and lowercase share a consistent rounded construction, with noticeable personality in curved letters and in the single-storey, handwritten-style lowercase forms. Numerals are similarly soft and heavy, designed for quick recognition rather than strict typographic uniformity. In longer lines, the texture stays dark and smooth, with the hand-made wobble adding character more than noise.