Slab Square Tanay 11 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Geogrotesque Slab' by Emtype Foundry, 'Metronic Slab Pro' by Mostardesign, and 'Defender' by Storm Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, assertive, retro, industrial, energetic, impact, athletic tone, rugged display, retro punch, brand presence, slab serif, blocky, square terminals, compressed curves, ink-trap feel.
A heavy, forward-leaning slab serif with blocky construction and broadly squared terminals. Strokes stay consistently thick with minimal modulation, while counters are compact and slightly squared-off, giving the letters a dense, punchy silhouette. The serifs read as sturdy slabs integrated into the stroke ends rather than delicate brackets, and many joins and inside corners feel clipped or notched, adding a subtle mechanical, ink-trap-like ruggedness. Overall spacing is tight and the rhythm is forceful, favoring strong black shapes over airy interior space.
Best suited for short, high-impact settings such as headlines, posters, sports identity, team apparel, bold packaging, and logo wordmarks. It can also work for subheads or callouts where a strong, energetic voice is needed, while extended small text may feel dense due to the compact counters and heavy color.
The font conveys a bold, sporty confidence with a slightly vintage, poster-like edge. Its slanted stance and chunky slabs create a sense of speed and impact, while the squared detailing adds an industrial toughness that feels practical and no-nonsense.
The design appears intended to deliver maximum impact with a fast, athletic slant and robust slab construction, combining poster-grade presence with squared, utilitarian detailing for confident display typography.
Uppercase forms appear especially compact and sturdy, while the numerals match the same squared, heavyweight geometry for consistent emphasis. The italic angle is pronounced enough to read as dynamic, but the structure remains stable and rectangular, keeping the tone more engineered than calligraphic.