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Free for Commercial Use

Shadow Tiso 3 is a very light, normal width, low contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, ui labels, packaging, futuristic, technical, sci‑fi, minimal, experimental, tech aesthetic, display impact, systematic construction, distinctive branding, monoline, geometric, rounded corners, angular joins, inline breaks.


Free for commercial use
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A monoline, outline-driven display design built from thin strokes with frequent cut-ins and small discontinuities that create a segmented, constructed feel. Corners alternate between crisp angles and softly rounded turns, especially in bowls and rectangular counters, while horizontals and verticals stay clean and sparse. Many letters feature partial outlines and inset notches rather than fully closed shapes, producing a light, airy texture and a slightly mechanical rhythm. The numerals follow the same modular logic, mixing squared forms with open terminals for a consistent system.

This font works best for short display settings such as posters, titles, logotypes, product/tech packaging, and interface labels where a futuristic, technical mood is helpful. It can be used for brief lines of copy in large sizes, but extended paragraphs may lose clarity because of the thin, segmented construction.

The overall tone reads futuristic and engineered, like labeling for devices or environments where a precise, synthetic voice is desired. Its deliberate gaps and shadow-like construction lend a slightly coded, techno atmosphere while remaining visually restrained rather than loud or decorative.

The design appears intended to evoke a modern, constructed look by reducing letters to essential outlines and introducing systematic breaks and inset corners. The result prioritizes style and atmosphere—suggesting technology, sci‑fi signage, or experimental branding—over conventional text readability.

In text, the font maintains a steady cadence but the fragmented strokes and open forms make it better suited to larger sizes where the fine details and breaks remain legible. The design language feels grid-aware, with repeated right angles, inset corners, and consistent terminal behavior across caps, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸