Cursive Ublaf 10 is a regular weight, narrow, high contrast, italic, very short x-height font.
Keywords: invitations, branding, packaging, logos, headlines, elegant, romantic, personal, lively, classic, handwritten feel, signature style, display emphasis, elegant flair, swashy, calligraphic, looping, slanted, brushlike.
A flowing script with a pronounced rightward slant and energetic, brushlike stroke modulation. Letters are built from slender, tapered strokes with strong thick–thin contrast and pointed terminals, producing a crisp, inked look. The rhythm is quick and cursive, with frequent entry and exit strokes, occasional loose connections, and generous loops in forms like g, y, and Q. Proportions emphasize tall ascenders and descenders, while lowercase bodies stay compact, giving the overall texture a light, airy sparkle despite the dark downstrokes.
This font suits short-to-medium display settings where a handwritten, calligraphic impression is desirable—wedding or event invitations, beauty and lifestyle branding, product packaging, and logo wordmarks. It also works well for quotes, headings, and signature-style accents, especially when paired with a restrained sans or serif for body copy.
The tone reads refined and personable, like contemporary calligraphy used for notes, invitations, or boutique branding. Its swashes and loops add a romantic, slightly dramatic flair, while the lively slant keeps it informal rather than ceremonial. Overall it suggests warmth, charm, and a handwritten authenticity.
The design appears intended to mimic quick, confident brush-pen handwriting with a polished, fashion-forward finish. By combining compact lowercase bodies with tall extenders and occasional swashy capitals, it aims to deliver a distinctive signature feel that stands out at display sizes while remaining legible in short phrases.
Capitals show more expressive variation than the lowercase, with several letters taking on signature-like constructions and occasional extended lead-in strokes. Numerals follow the same cursive logic, with rounded figures and varying widths that feel drawn rather than constructed. Spacing in running text appears comfortable, relying on the italic flow and connecting strokes to maintain continuity.