Print Ogmow 3 is a very bold, normal width, low contrast, italic, short x-height font.
Keywords: posters, headlines, logos, packaging, signage, energetic, casual, sporty, friendly, retro, handmade feel, display impact, brush lettering, casual branding, fast motion, brushy, slanted, rounded, bouncy, compact.
A heavy, brush-pen style with a consistent rightward slant and compact proportions. Strokes are rounded and full-bodied with subtly tapered terminals that suggest quick, pressure-driven mark making, while counters stay fairly tight to maintain a solid, punchy texture. Letterforms lean toward simplified, print-like constructions rather than fully cursive connections, creating a lively rhythm with slightly irregular widths and a hand-drawn flow. Numerals match the same bold, painted feel, with soft curves and a cohesive, informal structure.
Best suited for display applications where bold, informal personality is desired—posters, product packaging, event flyers, café or retail signage, and energetic branding. It can also work for short social graphics and callouts where readability is supported by generous sizing and comfortable tracking.
The overall tone is upbeat and approachable, with the feel of a confident marker headline or hand-painted sign. Its forward-leaning motion and dense black strokes give it a sporty, high-energy character, while the rounded edges keep it friendly rather than aggressive. The look nods to retro brush lettering in a modern, clean way.
The design appears intended to mimic fast, confident brush lettering with a strong fill and minimal internal contrast, prioritizing immediacy and personality. It aims to deliver a hand-made, dynamic headline voice that feels casual and contemporary while borrowing from classic brush-script signage traditions.
In text settings it creates strong word shapes and a dark, attention-grabbing color, with occasional tight spacing and compact counters that emphasize impact over delicacy. The italic angle is pronounced enough to add motion even at larger display sizes, and the brush-like terminals contribute to a natural, human cadence across lines.