Solid Essi 2 is a very bold, normal width, low contrast, upright, short x-height font visually similar to 'FF Bauer Grotesk' and 'FF Bauer Grotesk Paneuropean' by FontFont, 'CF Panoptik' by Fonts.GR, 'Hans Kendrick SE' by Hanken Design Co., 'Futura Now' by Monotype, 'Architype Renner' by The Foundry, 'Futura TS' by TypeShop Collection, and 'Futura Round' by URW Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, stickers, playful, chunky, retro, quirky, friendly, high impact, novelty display, friendly branding, retro flavor, rounded, blobby, heavy, compact, cartoonish.
A heavy, rounded display face with soft corners, swollen curves, and gently irregular geometry. Many counters are reduced to small slits or nearly closed apertures, creating a predominantly solid silhouette and a strong ink-trap-free, monoline feel. Terminals tend toward bulbous endings, and joins are thick and compact, giving letters a packed, rubbery rhythm. Numerals follow the same chunky construction, with simplified interior shapes and an overall emphasis on mass and legibility at larger sizes.
Best suited for large-scale display applications where its solid silhouettes and reduced counters can read cleanly: posters, headlines, playful branding, packaging, and short punchy messaging. It also fits logo marks and badge-style graphics where a bold, friendly presence is needed more than text economy.
The overall tone is playful and offbeat, with a toy-like softness that reads as friendly rather than formal. Its near-solid interiors and bouncy proportions give it a poster-ready, attention-grabbing personality with a hint of retro novelty. The irregularities feel intentional, adding charm and an approachable, comic energy.
This font appears designed to maximize visual impact through mass and simplified interior forms, prioritizing a distinctive, tactile silhouette over conventional readability norms. The rounded, slightly irregular construction suggests an intention to feel informal and characterful—ideal for novelty-forward branding and attention-first typography.
Spacing appears generous enough for display use, but the reduced counters and compact joins can make fine details merge at smaller sizes. Round letters like O and Q read as strong black forms, and the lowercase maintains the same chunky texture, reinforcing a consistent, logo-like presence across cases and figures.