Sans Superellipse Myma 1 is a bold, normal width, low contrast, upright, tall x-height font.
Keywords: headlines, branding, posters, signage, packaging, techy, industrial, retro-futurist, assertive, compact, impact, geometry, modernity, systematic, friendliness, rounded corners, square-oval, uniform stroke, closed apertures, soft terminals.
A heavy, rounded-rectangle sans with superelliptical bowls and consistently softened corners. Strokes are uniform and sturdy, with predominantly vertical stress and squared-off, gently radiused terminals that keep edges crisp while avoiding sharpness. Counters tend to be compact and apertures relatively closed, producing a dense, blocky texture; round letters like O/Q read as squarish ovals, and curves resolve into smooth, controlled arcs. Lowercase forms are tall and sturdy, with a single-storey a and g and short, minimal differentiation between curved and straight segments, reinforcing a modular, engineered rhythm.
Best suited for display settings such as headlines, logos, posters, and product branding where its geometric personality can read clearly. It also fits wayfinding and signage, as well as packaging and tech-oriented UI labels, especially where a compact, robust texture is desired.
The overall tone feels technical and industrial—clean, forceful, and slightly retro-futuristic. Its rounded corners add approachability, but the condensed counters and squared geometry keep it looking purposeful and machine-made. The result is a confident display voice that suggests technology, tooling, and modernist signage.
The design appears intended to merge strict geometric construction with softened corners, creating a sturdy sans that feels engineered yet friendly. Its superelliptical forms and uniform stroke behavior emphasize consistency and impact, aiming for a modern, systematized look with a distinctive retro-tech edge.
The bold mass and tight internal spaces create strong silhouette recognition at larger sizes, while small-size readability may depend on generous spacing due to the closed apertures. Numerals share the same squared-round construction, giving interfaces and labels a cohesive, system-like feel.