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Free for Commercial Use

Sans Normal Andob 2 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Lorin' by Designova, 'Mont' and 'Mont Blanc' by Fontfabric, and 'Gilroy' by Radomir Tinkov (names referenced only for comparison).

Keywords: ui text, branding, signage, headlines, editorial, modern, neutral, clean, functional, approachable, clarity, versatility, contemporary tone, systematic design, geometric, rounded, open counters, low contrast, even rhythm.


Free for commercial use
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This typeface is a clean sans with largely circular and elliptical construction, producing smooth bowls and open counters. Strokes maintain a consistent thickness with minimal contrast, and terminals are predominantly straight or softly finished without sharp calligraphic modulation. Uppercase forms are sturdy and simple, while the lowercase shows a contemporary, single-storey "a" and "g" with generous apertures. Numerals follow the same geometric logic with clear, sturdy shapes that read evenly alongside the letters.

It suits interface and product text where a clean, contemporary sans is needed, and it also performs well in headings due to its solid silhouettes and simple geometry. The open counters and straightforward forms make it a practical choice for wayfinding and general-purpose branding systems.

The overall tone is modern and neutral, prioritizing clarity over personality. Its rounded geometry and open forms give it a friendly, approachable feel while remaining restrained and professional.

The design appears intended as a dependable, contemporary workhorse sans: geometric in its underlying shapes, but tuned for comfortable reading through open apertures and balanced proportions. It aims for broad usability across display and text contexts without drawing attention to stylistic flourishes.

Spacing and rhythm appear even and consistent in running text, with relatively wide bowls and clear interior space aiding recognition at a range of sizes. The design avoids decorative quirks, relying instead on smooth curves and straightforward joins for a tidy, systematic texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸