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Free for Commercial Use

Sans Superellipse Nulin 11 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Fusion Collection' by Blaze Type, 'Newhouse DT' by DTP Types, 'Helen Bg' by HS Fonts, 'Helvetica Now' by Monotype, 'Crique Grotesk' by Stawix, 'NeoGram' by The Northern Block, and 'Nimbus Sans Round' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, app promos, sporty, assertive, energetic, friendly, retro, impact, motion, approachability, display strength, branding, rounded, oblique, blocky, compact joints, soft corners.


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A heavy, obliqued sans with broad proportions and rounded-rectangle construction. Strokes are uniformly thick with soft corners and a gently squarish curve logic, giving bowls and counters a superellipse feel rather than true circles. Terminals tend to be blunt and slightly rounded, with compact joins and minimal contrast, producing a dense, poster-ready texture. The lowercase keeps a straightforward, single-storey approach (notably in a and g), and the numerals follow the same chunky, rounded geometry for strong consistency.

Best suited to headlines, posters, and short bursts of copy where impact and motion are desired. It can work well for sports and active-lifestyle branding, promotional graphics, packaging callouts, and bold UI/marketing banners where a friendly-but-strong sans is needed.

The overall tone is bold and forward-leaning, mixing a friendly softness with an unmistakably forceful presence. Its rounded shapes keep it approachable, while the slant and mass convey speed, urgency, and a sporty, promotional attitude. The voice feels contemporary but with hints of retro display signage.

The design appears intended as a high-impact display sans that combines speed (through a consistent slant) with approachability (through rounded, squarish curves). Its geometry and dense color suggest a focus on legibility at large sizes and on delivering a punchy, contemporary presence in branding and promotional contexts.

Spacing appears designed to hold together under heavy weight, creating an even, compact rhythm in text. Curved letters show slightly flattened sides and generous internal counters for the style, helping retain clarity despite the density. The oblique angle is consistent across caps, lowercase, and figures, reinforcing a unified, kinetic feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸