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Free for Commercial Use

Shadow Olro 6 is a bold, normal width, very high contrast, italic, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, invitations, victorian, theatrical, carnival, old-timey, whimsical, display impact, vintage styling, dimensional effect, ornamentation, decorative, layered, inline, offset, flared serifs.


Free for commercial use
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A decorative serif design with a layered, cut-out construction that creates an offset, shadowed look inside and alongside the main strokes. Letterforms are built from thick verticals and tapered joins, with pronounced bracketed/flared serifs and occasional spur-like terminals. The italic slant and irregular internal counters give the glyphs a lively, hand-rendered rhythm, and several characters show uneven width and compact sidebearings that tighten the texture in words. Numerals and lowercase follow the same carved, dimensional logic, with outlines and inner shapes that read like inset shading rather than a single solid stroke.

Works best as a display face for posters, headlines, event materials, and branding moments that need a vintage or theatrical flair. It can also add personality to packaging and short, prominent phrases where the shadowed interior detailing can be appreciated. Use with generous sizing and simplified layouts to keep the dimensional effect crisp.

The overall tone feels vintage and performative—more sideshow poster than book typography. Its shadowed, hollowed details add a sense of depth and spectacle, while the slightly quirky curves keep it playful rather than formal. The impression is nostalgic and attention-seeking, suited to expressive display settings.

The font appears intended to evoke classic show-card and antique print aesthetics through a dimensional, shadowed construction and ornate serif shaping. Its design emphasizes decorative impact and a sense of depth, aiming to stand out in titles and featured text rather than extended reading.

The inline/shadow detailing is prominent enough that small sizes may fill in visually, especially where interior cut-outs narrow. The design’s character comes from its deliberate unevenness: varying stroke expansions, bouncy terminals, and ornamental shaping that prioritizes personality over strict regularity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸