Sans Superellipse Gyraz 10 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'KP Duty JNL' by Jeff Levine, 'Evanston Alehouse' by Kimmy Design, 'Gemsbuck Pro' by Studio Fat Cat, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, tech, sporty, assertive, retro-futurist, impact, branding, signage, modernize, durability, squared, rounded corners, blocky, compact, heavy terminals.
This typeface is built from stout, squared forms with generously rounded corners, giving counters and bowls a superellipse feel. Strokes are consistently heavy with minimal modulation, and the overall rhythm favors broad, stable letterforms and compact apertures. Curves transition into straights with crisp, controlled joins, while diagonals (as in A, K, V, W, X, Y) are thick and decisive. Numerals echo the same rounded-rectangle logic, with a notably boxy 0 and sturdy, simplified shapes across the set.
Best suited to large-size applications where its heavy, squared shapes can project strength: headlines, posters, branding marks, and product or packaging display. It also fits sports and tech-facing graphics where a compact, engineered aesthetic is desirable, while longer text is more effective in short bursts due to the dense color.
The tone is bold and utilitarian, combining a modern, technical presence with a hint of retro signage. It reads as confident and performance-oriented—more about impact and clarity at scale than delicacy. The rounded-square construction adds friendliness without losing the tough, engineered character.
The design intention appears to be a high-impact sans with a rounded-rectangle construction, optimized for strong silhouettes and consistent texture in display settings. Its forms prioritize sturdy geometry and immediate recognition, aiming for a contemporary industrial feel with approachable rounding.
Spacing appears tuned for headline presence, with letterforms designed to hold together as dense, dark typographic blocks. The lowercase shows single-storey construction where applicable and maintains the same squared, rounded-corner geometry, helping mixed-case settings feel cohesive.