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Free for Commercial Use

Sans Normal Pekez 7 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Mikado' by HVD Fonts, 'Malva' by Harbor Type, 'TT Norms Pro' by TypeType, and 'Merlo Neue' by Typoforge Studio (names referenced only for comparison).

Keywords: posters, packaging, headlines, logos, kids media, playful, friendly, chunky, retro, cartoon, attention-grabbing, approachability, whimsy, bold branding, legibility, rounded, soft, bulky, informal, bouncy.


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A heavy, rounded sans with bulbous curves and softly blunted terminals that create a compact, cushioned silhouette. Strokes are consistently thick with minimal modulation, and counters stay relatively open for the weight, especially in letters like O, P, and R. The lowercase shows a single-storey a and g, short-to-moderate ascenders, and generally simple, blocky constructions; the overall rhythm is slightly irregular in a deliberate way, giving the set a hand-cut, organic feel rather than strict geometric precision. Figures are stout and sturdy, with simplified shapes and rounded corners that match the letterforms.

Best suited to short, high-impact settings such as posters, playful branding, packaging, titles, and logo wordmarks where its chunky forms can be appreciated. It can work for brief callouts or captions, but its heavy color and lively rhythm make it more effective for display than for extended reading.

The font reads cheerful and approachable, with a toy-like, comic sign-painting energy. Its soft corners and inflated weight give it a cozy, humorous tone that feels casual and inviting rather than formal or technical.

The design appears intended to deliver maximum friendliness and visibility through thick strokes, rounded geometry, and simplified forms. Its slightly quirky, hand-made consistency suggests a focus on characterful display typography for fun, informal communication.

At text sizes the dense weight builds strong dark color, while the rounded apertures and generous internal shapes help keep letters from clogging. The design’s intentional lumpiness and varied letter widths add personality, but can also create a slightly uneven texture in longer paragraphs compared with more strictly constructed sans faces.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸