Sans Superellipse Otrep 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Kardust' by ARToni (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, ui display, tech, industrial, retro, utilitarian, futuristic, geometric system, tech tone, sturdy legibility, retro-futurism, squared, rounded, blocky, modular, geometric.
A heavy, geometric sans built from squared forms with generously rounded corners and consistent stroke weight. Curves resolve into superellipse-like rectangles, producing broad counters and a compact, engineered silhouette. Terminals are mostly flat and square, with occasional notch-like joins and crisp interior corners that reinforce a modular, constructed feel. Uppercase forms are sturdy and uniform; lowercase echoes the same geometry with simple bowls and straight-sided stems, keeping rhythm tight and mechanical. Numerals follow the same rounded-rectangle logic, reading clearly with wide interiors and minimal contrast.
Best suited for display sizes where its chunky, squared forms and rounded corners can project personality—headlines, poster typography, logos, and packaging. It can also work well for interface-style labels, dashboards, and signage where a techno-industrial tone and clear, sturdy letterforms are desired.
The overall tone is technical and industrial, with a distinct retro-futuristic flavor reminiscent of sci-fi interfaces and hardware labeling. Its squared curves and compact shapes convey efficiency, strength, and a controlled, machine-made character rather than warmth or calligraphy.
The font appears designed to translate rounded-rectangle geometry into a robust sans for contemporary display use, prioritizing strong silhouettes, uniform stroke behavior, and a consistent modular system. Its forms suggest an intention to evoke technology and engineered precision while staying approachable through softened corners.
The design’s rounded-square geometry creates strong texture in paragraphs, with dense black shapes and pronounced internal whitespace. Diacritics and punctuation are not shown; within the displayed set, the distinctive rounded-rectangle construction is consistent across letters and figures, supporting a cohesive, system-like voice.