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Free for Commercial Use

Cursive Jomaj 5 is a very light, very narrow, medium contrast, italic, very short x-height font.

Keywords: branding, signature, wedding, packaging, headlines, elegant, airy, romantic, refined, delicate, signature feel, formal charm, delicate display, handwritten elegance, swash emphasis, monoline, looping, swashy, calligraphic, flourished.


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A delicate, monoline-leaning script with a pronounced right slant and a brisk, pen-written rhythm. Strokes are hairline-thin with occasional thick–thin emphasis on curves and entry/exit strokes, giving it a lightly calligraphic feel without becoming heavy. Letterforms are tall and compressed, with long ascenders/descenders, narrow counters, and frequent looped constructions; capitals introduce more flourish and extended terminals. Connections are implied through flowing joins and sweeping cross-strokes, producing a continuous, handwritten line that stays visually consistent across the alphabet and numerals.

This font is well-suited to logotypes, boutique branding, invitations, wedding suites, beauty and lifestyle packaging, and elegant headlines where its thin strokes and swashy capitals can breathe. It works best at larger sizes with generous spacing and contrast against the background, and is less appropriate for long passages or small UI text where the fine lines and tight loops may lose definition.

The overall tone is graceful and intimate, like quick, confident signature writing. Its fine strokes and looping movement read as stylish and romantic, with a touch of vintage formality rather than casual marker handwriting.

The design appears intended to emulate refined cursive penmanship—light, fast, and polished—capturing the feel of a personal signature while remaining consistent enough for repeated typesetting. It prioritizes graceful motion, tall proportions, and decorative capitals to create a premium, expressive voice for display typography.

Capitals carry the strongest personality, with prominent swashes and elongated entry/exit strokes that can dominate a line. The lowercase is comparatively restrained but still uses tight loops and slender joins, which can reduce clarity at small sizes or in dense text. Numerals match the script’s light, handwritten construction and feel best when treated as part of a display setting rather than data-heavy typography.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸