Sans Normal Ohbar 7 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Hurme Geometric Sans No. 3' by Hurme, 'Madani' and 'Madani Arabic' by NamelaType, and 'Brahma' by Tall Chai (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, packaging, friendly, modern, confident, clean, approachable, clarity, impact, modernity, approachability, geometric, rounded, smooth, sturdy, high-contrast-free.
A heavy, geometric sans with smooth, monoline strokes and broadly rounded curves. The forms lean on simple circles and straight segments, producing consistent counters and a compact, efficient silhouette. Terminals are clean and largely straight-cut, with minimal modulation and a stable baseline. Lowercase shapes are straightforward and contemporary (single-storey “a” and “g”), while the uppercase set is wide and open, keeping interior spaces clear at large sizes.
Well-suited for headlines, posters, and branding where a bold, geometric voice is needed. It should work especially well for logos, packaging, and marketing titles that benefit from clean shapes and a friendly, modern tone. In UI or signage contexts, it can serve effectively for short labels and emphasis text where strong presence is desired.
The overall tone is friendly and contemporary, with a confident, no-nonsense presence. Rounded geometry softens the weight, making it feel approachable rather than aggressive. The font reads as modern and practical, suitable for brands or interfaces that want clarity with a warm edge.
Designed to deliver an impactful, contemporary sans look built from simple geometric construction. The intention appears to prioritize clarity and consistency—open counters, smooth curves, and even stroke weight—while maintaining a friendly, approachable character for modern visual communication.
The numerals follow the same geometric logic, with generous bowls and simple joins that maintain legibility in display settings. Round letters like O/C/G and the curved portions of S show smooth, even curvature, while diagonals (V/W/X/Y) feel sturdy and balanced. The density and tight internal spacing suggest it will look strongest at headline and short-text sizes where its shapes can breathe.