Sans Faceted Abbus 6 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Horesport' by Mightyfire, 'Stallman Round' by Par Défaut, 'Monbloc' by Rui Nogueira, 'Block' by Stefan Stoychev, and 'Getafe' by Trequartista Studio (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, industrial, arcade, techno, rugged, assertive, impact, compactness, mechanical tone, display clarity, octagonal, angular, chamfered, blocky, compact.
A compact, heavy display sans built from straight strokes and chamfered corners, replacing curves with crisp planar facets. Counters are mostly rectangular or octagonal, and joins stay clean and geometric with a consistent stroke weight. The overall rhythm is tight and modular, with squared terminals, small apertures, and a distinctly mechanical silhouette that stays legible through strong internal cutouts (notably in B, P, R, 8, and 9).
Best suited to headlines, titles, and logo wordmarks where its bold, angular texture can carry the layout. It also fits game UI, tech or industrial-themed packaging, and signage-style graphics, especially when used at moderate to large sizes for maximum clarity of its faceted counters.
The faceted geometry and dense color create a tough, utilitarian tone with a retro-digital edge. It reads as confident and no-nonsense, evoking industrial labeling and arcade-era display lettering more than friendly editorial typography.
The design appears intended to deliver a high-impact, space-efficient display voice using a modular, chamfered construction that prints and screens cleanly. Its consistent angular grammar suggests an aim for a cohesive system that feels technical and durable across letters and figures.
Numerals follow the same chamfered logic, giving a cohesive set suited to codes and short numeric strings. The lowercase keeps a single-story structure where applicable and maintains the same squared, stencil-like clarity, while diagonals (K, V, W, X) are steep and sharply cut, reinforcing the engineered feel.