Sans Faceted Idgud 8 is a very light, narrow, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, editorial display, art deco, elegant, airy, geometric, futuristic, display styling, geometric elegance, deco revival, modern refinement, distinct identity, monoline, angular, faceted, chiselled, linear.
A monoline sans with a faceted construction: curves are frequently replaced by crisp planar angles and shallow arcs, giving rounded forms a cut, polygonal feel. Strokes are extremely thin and consistent, with open counters and generous internal space that keep the texture light on the page. Proportions are generally tall with modest x-height, and the rhythm is slightly irregular due to alternating straight segments and angled joins. Terminals tend to be clean and unadorned, while several glyphs show sharp inflections (notably in bowls and diagonals) that reinforce the engineered, geometric character.
Best suited to headlines, titles, and short display copy where its thin monoline strokes and faceted forms can be appreciated. It works well for fashion, fragrance, boutique branding, event materials, and premium packaging, and can add a stylized, modern-classic voice to editorial pull quotes or section heads. For body text, larger sizes and ample leading help maintain clarity.
The overall tone is refined and airy, with a decorative edge that reads as Art Deco–adjacent and subtly futuristic. The razor-thin line and faceted geometry suggest precision and sophistication rather than warmth, creating a poised, boutique feel suited to display settings.
The design appears intended to reinterpret a clean sans through a faceted, cut-stone geometry—maintaining a minimal outline while introducing decorative angularity in place of smooth curves. It aims to deliver a distinctive display voice that feels precise, elegant, and visually light.
In longer text the extremely fine strokes create a delicate color and can feel whisper-light, while the faceted treatment adds sparkle and distinctiveness to round letters and numerals. The design leans on geometry and negative space, so it benefits from comfortable sizing and spacing where the angled joins remain clearly visible.