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Print Wemed 2 is a light, very narrow, medium contrast, italic, very short x-height font.

Keywords: packaging, posters, headlines, social media, greeting cards, casual, playful, friendly, quirky, handmade, handwritten feel, casual branding, quick lettering, human texture, informal voice, monoline, spiky terminals, looped forms, tall ascenders, airy spacing.

A lively handwritten print with a fast, sketch-pen rhythm and mostly monoline strokes that swell slightly on curves. Letterforms are tall and slim with compact lowercases, very short x-height, and prominent ascenders/descenders that create a vertical, wiry texture. Strokes show subtle wobble and irregular joins, with sharp, flicked terminals and occasional looped constructions (notably in rounded capitals and some lowercase forms), reinforcing an unpolished, natural hand feel. Numerals match the same narrow, lightly drawn construction and open counters.

Best suited to short, expressive copy where a casual handwritten tone is desired—such as packaging callouts, poster headlines, social graphics, greeting cards, and informal branding accents. It can also work for subheads or pull quotes when given generous size and spacing to preserve clarity.

The font reads as informal and conversational, with a slightly mischievous energy created by its narrow stance, quick strokes, and flicked endings. It feels personal and handmade—more like a note or marker scrawl than a systematized text face—while remaining legible in short bursts.

Likely designed to mimic quick hand lettering with a consistent pen width while keeping enough structure for alphabetic coverage and readable word shapes. The emphasis appears to be on personality and motion rather than typographic neutrality, using tall proportions, flicked terminals, and looped rounds to add character.

Capitals tend to be more expressive and varied than the lowercase, so mixed-case settings produce a dynamic, uneven cadence. The narrow proportions and short x-height give words a delicate, airy color, but also make long passages feel busy if set too small.