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Sans Normal Odmik 1 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Organetto' by Latinotype; 'Marquee' by Pelavin Fonts; 'Lyu Lin' by Stefan Stoychev; 'TT Norms Pro' by TypeType; and 'Grold', 'Grold Rounded', and 'Mula' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, playful, retro, friendly, chunky, cartoonish, display impact, brand character, retro feel, approachability, rounded, soft-cornered, bulky, bouncy, high-contrast colorblock.


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A heavy, geometric sans with rounded, inflated bowls and broadly cut counters that keep forms readable at large sizes. Strokes are consistently thick, with subtly softened corners and distinctive wedge-like joins and terminals that create a cut-paper, blocky silhouette. The uppercase is compact and sturdy, while the lowercase leans toward single-storey, simplified constructions with pronounced curves and a lively rhythm. Numerals are wide and robust, echoing the same rounded, sculpted shapes for a cohesive, poster-ready texture.

Best suited to headlines, posters, packaging, and brand marks where strong presence and personality are needed. It performs especially well in short bursts—titles, callouts, and display lines—where its bold shapes and playful details can be appreciated without crowding.

The overall tone is bold and upbeat, with a vintage display flavor that feels approachable rather than severe. Its chunky curves and quirky cut-ins give it a fun, slightly whimsical voice suited to energetic, informal messaging.

The design appears intended as a characterful display sans that combines geometric roundness with sculpted, cut-in terminals to create a memorable, high-impact look. It prioritizes visual punch and a friendly, retro-inflected personality over neutrality for text-heavy settings.

Spacing in the sample text reads intentionally tight and dense, creating strong black shapes and a punchy typographic color. The distinctive wedge cuts and angled joins (seen across several letters and digits) act as a signature detail that keeps the geometry from feeling generic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸