Sans Superellipse Abnas 2 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Bega' by Indian Type Foundry, 'Noli' by Monotype, and 'Robusta' by Tilde (names referenced only for comparison).
Keywords: ui text, product design, signage, branding, editorial, modern, friendly, clean, techy, neutral, legibility, approachability, modernity, systematic design, versatility, rounded corners, soft terminals, open apertures, geometric, uniform strokes.
This sans serif uses uniform stroke thickness and a rounded-rectangle (superellipse-like) construction that keeps curves smooth and corners softly eased. Bowls and counters are generously rounded, with open apertures that maintain clarity in letters like c, e, and s. Uppercase forms feel geometric and stable, while lowercase shapes are simple and functional with straightforward joins and minimal modulation. Numerals follow the same soft, squared-round rhythm, pairing clean verticals with broad curves for consistent texture.
It works well for UI labels, dashboards, and product typography where a modern, readable sans with softened geometry is desired. The clear counters and even stroke weight also suit signage and wayfinding at medium sizes, while the friendly roundness can support contemporary branding and clean editorial subheads.
The overall tone is contemporary and approachable: clean enough for interface work, but with softened geometry that avoids a clinical feel. Its rounded structure reads friendly and calm, with a subtle tech-forward character driven by the superelliptical curves and tidy spacing.
The design appears intended to blend geometric discipline with approachable softness, using superellipse-driven curves and rounded corners to create a contemporary sans that stays neutral, legible, and broadly usable. It prioritizes consistent rhythm and clean shapes over expressive calligraphic detail.
Round letters (O, Q, 0, 8, 9) lean toward squarish-round silhouettes rather than perfect circles, reinforcing a structured, systematic look. Diagonals in A, V, W, X, and Y are crisp and straight, contrasting with the softened corners elsewhere and helping the face stay legible at a range of sizes.