Sans Superellipse Luze 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Bourgeois Rounded' by Barnbrook Fonts, 'Military Jr34' by Casloop Studio, 'Moldr' and 'Moldr Thai' by Deltatype, 'Panton Rust' by Fontfabric, 'Midpoint Pro' by Mint Type, 'Core Sans ES' by S-Core, and 'Frygia' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, logos, friendly, playful, chunky, retro, approachable, impact, friendliness, modernity, signage, brand voice, rounded, soft-cornered, geometric, compact, high-ink.
A very heavy, rounded sans with a superellipse construction: counters and outer shapes lean toward rounded rectangles rather than pure circles. Strokes are broadly uniform with softened terminals and corners, creating a dense, blocky silhouette. Curves are tightly controlled and squarish, with compact apertures and generous internal rounding that keeps forms open at display sizes. Lowercase shows single‑storey a and g, short ascenders/descenders, and a sturdy, even rhythm across words; figures are similarly rounded and weighty.
Best suited to display work where impact and warmth are needed: headlines, posters, packaging, brand marks, and bold UI moments like buttons or feature callouts. It can also work for short editorial blurbs or captions when set with ample spacing to offset the dense color.
The overall tone is friendly and bold, with a toy-like softness that reads as upbeat rather than aggressive. Its chunky geometry and rounded-square forms give it a slightly retro, signage-like personality while still feeling clean and contemporary.
The design appears aimed at delivering a strong, contemporary display voice built from rounded-rectangle geometry, prioritizing friendliness and legibility at larger sizes. Its consistent soft corners and hefty strokes suggest an intent to feel approachable and modern while remaining unmistakably bold in identity-driven contexts.
Round dots and punctuation, plus the tightly rounded joints in letters like n, m, and u, reinforce a consistent soft-rectangular motif. The heavy weight and relatively closed counters can make long passages feel dense, but the shapes remain clear and distinctive in headlines and short lines.