Sans Superellipse Ibniy 6 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Monterra' by ActiveSphere, 'FS Industrie' by Fontsmith, 'Champion Gothic' by Hoefler & Co., 'Balboa' by Parkinson, and 'Address Sans Pro' by Sudtipos (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, assertive, industrial, retro, sporty, headline, impact, space saving, brand voice, signage strength, poster style, blocky, compact, vertical, rounded corners, soft joints.
A compact, heavy display face with tall proportions and tightly controlled counters. Strokes are predominantly straight and vertical, with corners and joins softened into rounded-rectangle curves that keep the forms sturdy rather than sharp. The design favors strong vertical rhythm and dense color, with relatively small apertures and squared-off terminals that create an efficient, poster-like texture. Uppercase forms read as constructed and architectural, while the lowercase keeps simple, robust bowls and stems with a clear, utilitarian silhouette; numerals follow the same condensed, block-built logic.
Best suited to short, high-impact settings such as headlines, posters, event graphics, sports branding, packaging, and bold signage. It can also work for punchy pull quotes or UI labels where a condensed, emphatic voice is needed, but the dense counters and tight apertures suggest avoiding long body copy.
The overall tone is loud and confident, with a disciplined, industrial feel. Its compressed massing and softened corners suggest a blend of vintage poster lettering and modern sports or brand signaling—energetic, pragmatic, and built for impact.
The design appears intended to deliver maximum presence in limited horizontal space, using rounded-rectilinear construction to maintain clarity and a cohesive, engineered personality. It prioritizes strong silhouette and repeatable rhythm for attention-grabbing display typography.
Spacing appears tight and consistent, helping lines of text lock together into a solid typographic block. The rounded-rectangle geometry is especially noticeable in curved letters and the way terminals resolve, giving the face a distinctive “machined” softness despite its strong weight.