Cursive Hyra 2 is a very light, very narrow, medium contrast, italic, very short x-height font.
Keywords: signatures, quotes, invitations, packaging, social media, airy, casual, elegant, personal, poetic, handwritten feel, signature look, light elegance, display accent, personal tone, monoline, spidery, tall, looped, unconnected.
A slim, fast handwritten script with a pronounced rightward slant and long, tapering strokes. Letterforms are built from lightly pressured, pen-like lines with subtle thick–thin modulation and occasional sharpened terminals. Proportions are tall and condensed, with generous ascenders and descenders and relatively small lowercase bodies, creating an open, vertical rhythm. Most lowercase characters appear mostly unconnected, while capitals use larger, gestural entry strokes and occasional loops for emphasis.
This font works best for short, expressive settings such as signatures, headings, pull quotes, greeting cards, invitations, and lifestyle branding. Its very fine strokes and condensed forms make it more suitable at medium-to-large sizes where the delicate details and tall rhythm can remain clear, rather than in dense body text.
The overall tone feels intimate and off-the-cuff, like a quick signature or note written with a fine pen. Its light touch and elongated forms add a refined, slightly dramatic character without becoming formal. The texture reads breezy and expressive, suitable for conveying warmth and personality.
The design appears intended to capture a modern handwritten cursive look that is quick, slender, and elegant—balancing legibility with a natural, human cadence. It aims to provide a lightweight, personal accent for branding and display typography, evoking the feel of a fine-pen scribble or stylish note.
Round shapes (like O and 0) are narrow and lightly drawn, and several letters rely on simplified, single-stroke constructions that prioritize speed over strict uniformity. The numerals follow the same handwritten logic, with slender curves and minimal ornamentation. Spacing and stroke endings maintain a consistent ‘ink-on-paper’ feel, with small irregularities that reinforce the hand-drawn authenticity.