Sans Superellipse Etmij 10 is a bold, narrow, monoline, italic, normal x-height font visually similar to 'Conthey' by ROHH, 'Abraham' by Sabrcreative, and 'Gravitas' by Studio K (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, energetic, modern, dynamic, confident, impact, motion, compactness, clarity, modernization, condensed, oblique, rounded, soft corners, compact.
A compact, condensed sans with a pronounced rightward slant and sturdy, even-weight strokes. Curves resolve into rounded-rectangle (superelliptical) shapes, giving bowls and counters a soft-cornered, engineered feel rather than a purely geometric circle. Terminals are clean and mostly squared-off with rounding, producing a crisp silhouette and consistent texture across lines. Spacing appears tight and efficient, with tall, streamlined capitals and compact lowercase forms that maintain clear interior openings.
Best suited to headlines, short statements, and branding where a compact footprint and high-impact presence are needed. It works well for sports and fitness identities, event graphics, packaging callouts, and bold wayfinding or promotional signage, especially when set with generous line spacing to let the slanted forms breathe.
The overall tone is fast, assertive, and contemporary, with a forward-leaning rhythm that suggests motion. Rounded corners temper the heaviness, keeping the voice friendly enough for consumer branding while still feeling performance-oriented and purposeful.
The design appears intended to deliver a bold, condensed voice with a sense of speed, using superelliptical rounding to keep the forms approachable and coherent at display sizes. Its consistent stroke treatment and compact proportions suggest an emphasis on strong, repeatable shapes that hold up in attention-grabbing layouts.
The numerals and uppercase forms read particularly strong and sign-like, while lowercase shows simplified, pragmatic construction that prioritizes impact over delicacy. The oblique angle is consistent across glyphs, helping long lines maintain momentum and a unified typographic color.