Serif Other Gehe 13 is a regular weight, narrow, medium contrast, italic, very short x-height font.
Keywords: book titling, editorial display, pull quotes, branding, invitations, refined, literary, classic, ceremonial, expressive, elegant emphasis, classic voice, display italic, editorial flavor, formal tone, calligraphic, swashy, high-tilt, sharp serifs, open counters.
A narrow, right-leaning serif with a distinctly calligraphic construction and brisk, angled terminals. Strokes show moderated contrast and a flowing rhythm, with sharp bracketed serifs and tapered joins that create a slightly wiry, energetic texture. Proportions are tall and elegant, with a very small x-height against long ascenders and descenders; lowercase forms read as delicate and compact, while capitals are airy and strongly slanted. Curves are clean and open, and several letters feature subtle swash-like entry/exit strokes that emphasize movement over rigidity.
This style performs best in display contexts where its narrow, italic rhythm and crisp serifs can be appreciated—book covers, chapter openers, magazine headlines, pull quotes, and cultured branding. It also suits formal collateral such as invitations or programs, especially when set with generous tracking and leading.
The overall tone is refined and literary, suggesting traditional print culture with a touch of theatrical flair. Its pronounced slant and lively terminals add expressiveness that feels formal yet animated, suitable for conveying elegance, wit, or ceremony rather than neutrality.
The design intent appears to be an expressive serif italic that evokes classic, pen-informed letterforms while remaining clean and consistent for modern typesetting. It prioritizes elegance, motion, and a distinctive typographic voice over utilitarian, text-first neutrality.
The italic angle is prominent enough that spacing and rhythm become a key part of its personality, producing a light, fast-moving line in text. Numerals follow the same italic, calligraphic logic and feel suited to display or editorial settings rather than dense tabular work.