Sans Superellipse Myke 9 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Avionic' by Grype (names referenced only for comparison).
Keywords: sports branding, headlines, posters, apparel, packaging, sporty, dynamic, assertive, industrial, retro, impact, speed, branding, display, oblique, rounded, compact, stencil-like, angled terminals.
A heavy, forward-leaning sans with squared, rounded-corner construction and a tight, compact rhythm. Strokes are broad and largely uniform, with subtle contrast created by angled joins and internal cut-ins rather than traditional thick–thin modulation. Counters and apertures are narrow and often appear notched or partially "opened" by small rectangular bite-outs, giving several letters a brisk, engineered feel. Curves resolve into superellipse-like rectangles, and many terminals finish on clean slants, reinforcing speed and directionality.
Best suited for short, high-impact text such as sports identities, team marks, event posters, and energetic advertising. It also works well on apparel and packaging where bold, slanted forms need to read quickly at a distance. For extended reading, the narrow apertures and dense texture are more effective in larger sizes than in small body text.
The overall tone is bold and kinetic, projecting a fast, competitive energy with a slightly mechanical edge. Its notched details and compressed silhouettes evoke motorsport and athletic branding, while the rounded-square geometry keeps it contemporary rather than purely retro.
The design appears intended to deliver a strong, speed-oriented display voice built from rounded-rectangle geometry and purposeful cut-ins that add bite and distinguishability. It prioritizes visual punch, consistent slant, and a compact footprint for branding-driven typography.
Figures are blocky and high-impact, matching the letterforms’ squared curves and tight counters. The italic angle is consistent and strong, and the font maintains a cohesive texture in all-caps settings where the dark, continuous stroke mass becomes a prominent graphic element.