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Free for Commercial Use

Sans Superellipse Oldot 6 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Yummo' by Dharma Type and 'Conthey Inline' by ROHH (names referenced only for comparison).

Keywords: user interfaces, signage, headlines, branding, packaging, modern, friendly, utilitarian, techy, clean, clarity, approachability, systematic design, screen-forward, rounded, superelliptical, boxy, geometric, monoline.


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A rounded, superellipse-driven sans with monoline strokes and generous corner radii. Forms are built from squared-off curves, producing a soft-rectangular geometry in bowls and counters, with minimal modulation and a steady rhythm. Terminals are mostly blunt and rounded, and many curves resolve into flattened tops or bottoms rather than perfect circles, reinforcing a compact, engineered feel. The lowercase shows a large x-height and open apertures, while the numerals follow the same rounded-rect logic for consistent color in text.

Well-suited to user interfaces and product design where a clear, rounded sans can reduce visual harshness while staying crisp. It also works effectively for headlines, labels, and signage thanks to its sturdy shapes and consistent stroke color, and can support contemporary branding that wants a friendly, engineered aesthetic.

The overall tone is contemporary and approachable, with a tech-forward, UI-friendly polish. Its softened rectangular shapes feel practical and systematic rather than expressive, giving it a calm, dependable voice that still reads as modern.

The design appears intended to blend geometric clarity with softened corners, producing a pragmatic sans that feels modern without being cold. Its superellipse-based construction suggests a focus on consistency across glyphs and strong performance in functional, screen-forward contexts.

Distinctive superelliptical bowls and rounded-rectangle construction are especially evident in characters like O/Q/0 and the lowercase arches, which favor flat-ish shoulders and rounded corners. The shapes stay consistent between caps, lowercase, and figures, creating a cohesive, modular texture in paragraphs and at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸