Sans Superellipse Ogrew 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Miguel De Northern' by Graphicxell, 'DIN Next' by Monotype, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, signage, logos, packaging, industrial, retro, assertive, compact, technical, space-saving impact, sturdy clarity, geometric consistency, signage presence, rounded corners, blocky, square-ish, soft terminals, condensed.
A compact, heavy sans with a rounded-rectangle construction and softened corners throughout. Strokes are monolinear and dense, with tight counters and squared-off joins that keep forms rigid while the generous rounding prevents them from feeling sharp. Curves tend to resolve into superelliptical bowls, and straight-sided letters (like H, N, U) maintain a consistent, engineered rhythm. Numerals and lowercase share the same sturdy, boxy logic, producing a uniform, space-efficient texture in text and display settings.
Best suited to headlines, posters, signage, and brand marks where compact width and high visual mass help text punch through. It also fits packaging, labels, and UI badges that benefit from sturdy, space-saving letterforms and a controlled, geometric rhythm.
The overall tone is bold and utilitarian, with a retro-industrial flavor that feels at home in machinery, signage, and tech-forward branding. Its compact width and chunky presence read as confident and no-nonsense, while the rounded corners add approachability and a slightly playful softness.
The font appears intended to deliver maximum impact in limited horizontal space, using rounded-rectangle geometry to balance a hard, engineered structure with friendlier corners. The consistent stroke and compact proportions suggest an emphasis on clarity and repeatable shapes for attention-grabbing display typography.
The design favors strong silhouettes over openness: apertures and counters are relatively small, and many shapes lean on squared geometry with rounding as a unifying detail. This creates high impact at larger sizes and a tightly packed word shape when set in lines of copy.