Sans Superellipse Pegat 8 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Gemsbuck Pro' by Studio Fat Cat and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, industrial, techy, rugged, playful, utilitarian, impact, texture, retro tech, labeling, branding, squared, rounded, chunky, condensed feel, blunt.
A chunky, squared sans with rounded-rectangle construction and softly clipped corners throughout. Strokes stay monolinear and heavy, with compact counters and slightly uneven, hand-pressed edges that give the shapes a subtly distressed bite. Curves tend to resolve into flattened arcs rather than true circles, and terminals are blunt, often with small angular cut-ins that make corners feel notched. Proportions lean compact and sturdy in the caps, while lowercase forms keep a large body and short extenders, producing dense, blocky word shapes.
Best suited to short, high-impact settings such as headlines, posters, brand marks, packaging, and bold signage where its blocky geometry and rugged edges can read clearly. It also works well for display typography in tech, gaming, or industrial-themed layouts, and for numbers in labels or UI-style callouts when set generously.
The overall tone is industrial and tech-forward, like labeling on equipment or a retro digital interface, but with a gritty, humanized finish. Its rounded corners keep it approachable, while the blunt geometry and tight counters add a tough, utilitarian attitude.
The font appears designed to merge superelliptical, rounded-rectangle forms with an intentionally roughened edge, creating a sturdy display sans that feels both engineered and tactile. It prioritizes strong silhouette and texture over delicate detail, aiming for high visual presence in bold, graphic compositions.
The design shows a consistent rounded-square logic across rounds like O, Q, and 0, echoed in numerals and bowls. Diagonals (V, W, X, Y) read sharp and emphatic against the otherwise boxy rhythm, and the inky weight can cause small apertures (e, a, s) to close up sooner at smaller sizes.