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Free for Commercial Use

Outline Orfa 1 is a very light, wide, low contrast, italic, normal x-height font.

Keywords: headlines, posters, logos, sports branding, packaging, retro, comic, sporty, energetic, playful, display impact, motion, retro flavor, playfulness, attention grab, slanted, angular, faceted, outlined, hand-drawn.


Free for commercial use
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A slanted outline display face built from faceted, polygonal letterforms with sharp corners and occasional notched details. The stroke is rendered as a thin contour only, giving the glyphs an airy, open interior and a light footprint on the page. Forms are compact but forward-leaning, with simplified counters and slightly irregular edges that feel sketched rather than mechanically perfect. Curves are largely implied through chamfered segments, and joins tend to be abrupt, reinforcing the angular construction.

Best suited to short, attention-grabbing text such as headlines, posters, event flyers, game/arcade-themed graphics, and expressive logos. It can also work for sporty or youth-oriented packaging where an energetic outline style is desirable. For longer passages, larger sizes and generous leading improve clarity and preserve the crisp outline character.

The overall tone is fast, punchy, and a bit mischievous—like retro comic titling or arcade-era graphics. Its outline treatment keeps it playful and lightweight while the aggressive slant adds motion and urgency. The roughened facets introduce a casual, handmade energy rather than a polished corporate feel.

This font appears designed to deliver an energetic, italicized display voice using a thin outline and angular, chiseled silhouettes. The intent seems to be high visual impact through motion and attitude rather than neutral readability, leveraging faceted shapes and a sketch-like contour to evoke retro, action-oriented titling.

Uppercase and lowercase share the same angled, blocky construction, helping maintain a consistent rhythm in mixed-case settings. Numerals follow the same faceted geometry and read best when given enough size and spacing so the thin contour doesn’t visually break up. Because the design relies on outlines, it benefits from clean backgrounds and avoids overly busy imagery behind the text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸