Sans Superellipse Onmoh 2 is a regular weight, wide, low contrast, upright, normal x-height font.
Keywords: ui, signage, headlines, branding, posters, tech, sci‑fi, modern, sleek, futuristic, systemic design, tech identity, clean readability, modern branding, rounded, squared, monoline, geometric, open counters.
A monoline sans built from rounded-rectangle and superellipse geometry, with generously rounded corners and mostly squared curves. Strokes keep an even thickness throughout, and joins are smooth and engineered, giving the alphabet a crisp, modular rhythm. Counters tend to be rectangular with softened corners, and terminals are consistently rounded, producing clear, open interior space even in tighter letters. Proportions lean expansive, with stable, upright construction and a clean, systematic feel across caps, lowercase, and numerals.
This design works well for user interfaces, dashboards, wayfinding, and product labeling where a geometric, softened-technical voice is desirable. Its clean shapes and open counters also suit headlines, branding systems, and short bursts of text in posters or packaging, especially in modern or tech-oriented contexts.
The overall tone is contemporary and technology-forward, with a controlled, machined friendliness created by the soft corners. It reads as futuristic without becoming decorative, suggesting interfaces, devices, and modern industrial design. The style feels confident and streamlined, suited to clean, high-contrast presentation.
The font appears intended to translate rounded-rect industrial geometry into a readable, everyday sans, balancing a futuristic silhouette with practical clarity. Its consistent corner rounding and uniform stroke weight suggest a focus on system-like cohesion and a recognizable tech identity across letters and numbers.
Capitals emphasize squared bowls and rounded corners (notably in forms like C, D, O, and Q), reinforcing the superelliptical motif. Lowercase maintains the same geometric logic, with simple, functional shapes and minimal calligraphic influence. Numerals follow the same rounded-rect construction, appearing consistent and sign-like.