Sans Superellipse Sase 2 is a very bold, very narrow, medium contrast, italic, normal x-height font visually similar to 'Shtozer' by Pepper Type, 'Initiate' by Stiggy & Sands, 'Goodland' by Swell Type, and 'Daimon' by TypeClassHeroes (names referenced only for comparison).
Keywords: sports branding, posters, headlines, packaging, apparel, athletic, urgent, industrial, headline, impactful, energy, compact impact, speed, modern utility, branding, condensed, slanted, blocky, rounded corners, compact.
A compact, forward-leaning sans with tall, tightly set proportions and a consistent rightward slant. Strokes are heavy and confident with subtly rounded corners and squarish counters, giving many letters a rounded-rectangle (superellipse-like) construction. Curves are controlled and somewhat flattened rather than fully circular, while joins and terminals stay clean and blunt, maintaining a strong, continuous rhythm. Numerals and caps share the same condensed, high-impact silhouette, reading as engineered and uniform across the set.
Best suited for high-impact display settings such as sports identities, event posters, product packaging, and bold callouts. It works particularly well where space is tight and a condensed italic needs to project energy—on jerseys, labels, ads, and prominent UI hero text—rather than for extended small-size reading.
The overall tone is fast, forceful, and competitive, with an assertive slant that suggests motion and urgency. Its dense black shapes feel utilitarian and sporty, evoking performance branding, racing, and hard-edged promotional typography. The rounded-rect geometry keeps it modern rather than aggressive or sharp.
The design appears intended to deliver maximum visual impact in a narrow footprint, combining a strong italic thrust with rounded-rectangle construction for a modern, engineered feel. It prioritizes immediacy and brand presence, aiming for a fast, athletic voice that remains clean and contemporary.
The alphabet shows a deliberately streamlined, display-first construction where internal apertures are kept narrow for punch and consistency. The italic angle is pronounced enough to create momentum in longer lines, and the compact forms create a strong horizontal texture that holds together well in bold, short bursts of text.