Sans Other Selo 11 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Robolt' by Typesketchbook and 'Raviona' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, branding, signage, packaging, industrial, retro, mechanical, architectural, assertive, impact, space saving, systematic, tech flavor, signage look, condensed, square, modular, angular, blocky.
This typeface uses condensed, monoline strokes with a strongly rectangular, modular construction. Curves are minimized and frequently expressed as squared-off corners and straight segments, producing a tall, compressed silhouette with tight counters. Terminals are flat and abrupt, and many letters incorporate stepped or notched joins, giving the forms a cut-from-plate feel. The overall rhythm is rigid and vertical, with consistent stroke thickness and a distinctly geometric, engineered presence.
Best suited to display settings such as posters, headlines, logotypes, product packaging, and signage where a compact footprint and strong vertical presence are useful. It can also work for UI labels, scoreboards, or tech-themed graphics when set at larger sizes to preserve clarity. For long-form reading, the dense counters and rigid texture are likely to feel heavy, so it performs better in short bursts of text.
The tone is utilitarian and mechanical, evoking industrial labeling, technical signage, and retro-futurist graphics. Its narrow, blocky shapes project urgency and authority, with a slightly game-like or sci‑fi edge due to the gridlike simplification and angular detailing. The look feels functional rather than friendly, emphasizing structure and impact.
The design appears intended to deliver a condensed, high-impact sans with a modular, engineered construction. By limiting curves and relying on squared geometry and consistent stroke weight, it aims to create a distinctive, reproducible look reminiscent of stenciled or fabricated letterforms, optimized for bold, space-efficient display typography.
Uppercase and lowercase share a closely related skeleton, reinforcing a uniform, systematized texture in text. The narrow apertures and squared counters create a dense, high-contrast pattern at smaller sizes, while the distinctive notches and compressed proportions become more legible and characterful when given room. Numerals follow the same rectilinear logic, matching the cap-heavy, sign-painting aesthetic.