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Free for Commercial Use

Sans Normal Abdol 15 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'BB Casual Pro' by Bold Studio and 'Neue Helvetica', 'Neue Helvetica Armenian', 'Neue Helvetica Paneuropean', 'Neue Helvetica Thai', 'Neue Helvetica World', and 'Neue Helvetica eText' by Linotype (names referenced only for comparison).

Keywords: ui text, branding, headlines, captions, posters, modern, clean, technical, efficient, neutral, clarity, versatility, modernity, motion, oblique, geometric, monoline, rounded, open counters.


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A slanted, monoline sans with smooth, geometric construction and gently rounded curves. Strokes stay even throughout, with open apertures and clean joins that keep forms crisp at text sizes. Proportions feel balanced and contemporary, with round letters (C, O, Q) leaning toward circular, and straight-sided letters (E, F, H, N) keeping a tidy, engineered rhythm. Numerals match the same simple, uncluttered structure, with clear differentiation and consistent stroke endings.

Works well for user interfaces, dashboards, and product surfaces that benefit from a clean oblique sans. The steady rhythm and open counters also suit captions, short paragraphs, and editorial callouts, while the slant makes it effective for contemporary headlines and brand messaging where a sense of forward motion is desirable.

The overall tone is modern and matter-of-fact, with a sleek oblique stance that adds motion without becoming expressive or decorative. It reads as efficient and contemporary, suggesting clarity, speed, and a restrained, professional voice rather than warmth or nostalgia.

Likely designed to deliver a neutral, modern oblique companion for everyday typography—prioritizing clarity and consistency while adding a subtle dynamic feel through the slant. The geometric, low-detail forms suggest an intention to remain versatile across digital and print contexts without drawing attention to stylistic quirks.

The italic angle is consistent across capitals, lowercase, and figures, and the design avoids calligraphic cues—there’s little to no stroke modulation and no flourished terminals. Letterforms appear optimized for straightforward reading, with generous internal space and a stable baseline presence even in the slant.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸