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Free for Commercial Use

Cursive Oplih 3 is a very light, very narrow, medium contrast, italic, very short x-height font.

Keywords: signatures, invitations, quotes, packaging, social graphics, airy, casual, delicate, elegant, personal, handwritten realism, light elegance, fluid motion, compact script, monoline, looping, tall ascenders, open counters, sweeping swashes.


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A very slender, right-leaning cursive hand with a fine, mostly monoline stroke and occasional pressure-like thickening at turns. Letterforms are tall and compact with tight sidebearings, long ascenders/descenders, and small interior counters, creating a vertical, space-efficient rhythm. Connections are smooth and continuous in lowercase, while capitals use simplified, looped constructions and light entrance/exit strokes. Terminals are tapered and slightly hook-like, with frequent loopbacks in letters such as g, y, and z, and gently extended crossbars on forms like t.

Best suited to short, expressive settings where a personal touch is desired—signatures, invitations, greeting lines, pull quotes, labels, and lightweight branding moments. It reads most confidently at display sizes, where the thin strokes and tight spacing have room to breathe.

The overall tone is light, intimate, and quick—like neat personal handwriting rather than formal calligraphy. Its thin strokes and looping joins add a refined, breezy feel, while the irregularities keep it approachable and human.

This design appears intended to capture a clean, contemporary cursive note style: fast, connected writing with an elegant thin stroke and compact footprint. The emphasis is on fluid motion and a graceful slant over strict, typographic regularity.

Uppercase forms tend to be more gestural and occasionally ambiguous at small sizes due to the narrow proportions and light stroke. Numerals follow the same handwritten logic, with simple, slightly slanted constructions and minimal ornament. The sample text shows consistent slant and joining behavior, with a flowing baseline and subtle bounce rather than rigid alignment.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸