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Sans Superellipse Yoka 9 is a very bold, very wide, medium contrast, upright, tall x-height font visually similar to 'Leroy' by Andinistas, 'Muller Next' by Fontfabric, 'Gliker' by Studio Sun, 'EastBroadway' by Tipos Pereira, and 'Moai Variable' by Unio Creative Solutions (names referenced only for comparison).

Keywords: posters, headlines, branding, logotypes, packaging, punchy, retro, playful, chunky, poster-ready, high impact, distinctive voice, compact density, retro flavor, display emphasis, rounded, blobby, geometric, soft corners, compact counters.


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A heavy, rounded display sans built from blocky, superellipse-like shapes with softened corners and broad, flat terminals. Strokes are consistently thick with small, tightly enclosed counters and frequent horizontal cut-ins that create a segmented, stencil-like feel without breaking overall solidity. Proportions are expansive and low-contrast, with wide bowls and a tall lowercase that keeps texture dense in paragraphs. The overall rhythm is bold and steady, prioritizing mass and silhouette over delicate interior detail.

Best suited to posters, bold editorial headlines, packaging, and brand marks that need instant impact. It works well in short bursts—titles, calls to action, labels, and event graphics—where its strong silhouette and distinctive internal cuts can be appreciated. For longer passages, larger sizes and generous leading help maintain legibility.

The font projects a loud, playful confidence with a distinctly retro, pop-inflected tone. Its chunky forms and quirky internal cut lines feel energetic and slightly mischievous, leaning toward expressive headlines rather than neutral text. The overall mood is friendly but forceful—more shout than whisper.

The design appears intended as a high-impact display face that combines rounded geometric construction with a stylized, sliced interior motif to create memorability. It aims to deliver maximum presence in limited space while maintaining a soft, approachable outline.

At text sizes the tight counters and interior slicing can merge into dark areas, so spacing and size choices matter for clarity. The distinctive segmented joins become a recognizable signature in short phrases and titles, especially in all caps and large numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸