Sans Superellipse Arrud 5 is a very light, wide, low contrast, upright, normal x-height font.
Keywords: tech branding, ui labeling, headlines, posters, logotypes, futuristic, technical, minimal, sleek, space-age, futurism, system design, interface feel, geometric clarity, rounded, monoline, geometric, modular, open counters.
A monoline sans built from rounded-rectangle geometry, with superellipse-like bowls, softly radiused corners, and frequent open joints. Strokes stay consistently thin, while terminals are often blunt or slightly hooked, creating a modular, constructed feel. Curves tend to resolve into squared-off arcs rather than full circles, and many letters use deliberate gaps (notably in C, G, S, and some lowercase) that emphasize a schematic, outlined rhythm. Lowercase forms are compact and clean, with a single-storey a and g and minimal differentiation between curves and straights, reinforcing the systemized construction.
Well-suited to technology-facing identities, product marks, and interface-style labeling where a sleek, futuristic tone is desired. It can work for headlines and short paragraphs in editorial or packaging contexts when set at comfortable sizes that preserve the thin strokes and distinctive open joins.
The overall tone reads modern and engineered—clean, airy, and distinctly futuristic. Its rounded-square skeleton suggests interfaces, instrumentation, and sci‑fi branding, while the open joins and light stroke give it a high-tech, almost diagrammatic character.
The font appears designed to translate rounded-rectangle geometry into an efficient, contemporary alphabet with a clear, system-driven personality. The intentional openings and modular construction suggest an aim toward a sci‑fi/technical aesthetic while maintaining legibility through simple, familiar skeletons.
The design leans on repeated motifs—rounded corners, squared bowls, and small cut-ins—creating strong visual consistency across letters and numerals. In text, the thin strokes and open counters keep lines from feeling heavy, though the stylized joins and segmented curves make the voice more display-oriented than purely neutral.