Pixel Dash Abry 2 is a bold, normal width, high contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, gaming ui, sci-fi titles, techy, glitchy, industrial, tactical, retro, scanline effect, digital texture, industrial impact, display emphasis, tech styling, striped, stencil-like, segmented, display, geometric.
A heavy, geometric sans with squared proportions and rounded corners, built from repeated horizontal bars that create a striped, segmented silhouette. Most strokes are interrupted into short bands, leaving consistent gaps that read like scanlines across the letters. The design keeps a firm baseline and cap line with compact counters and simplified interior shapes, producing strong, blocky forms that stay legible while emphasizing texture. Stroke endings are clean and blunt, and many curves are rendered as stepped, banded arcs rather than smooth outlines.
Best suited to display settings where the striped construction can be appreciated: posters, title cards, packaging accents, brand marks, and on-screen graphics such as gaming or streaming overlays. It also works well for sci‑fi, cyber, industrial, and tech-forward themes where a “signal/scanline” texture supports the concept.
The repeated horizontal breaks give the face a synthetic, signal-like feel, suggesting screens, interference, and machine-read markings. It conveys a rugged, tactical tone with a retro-digital edge—more utilitarian than playful—making text feel encoded, scanned, or transmitted.
The font appears designed to merge a sturdy, bold grotesk skeleton with a deliberate scanline/dashed construction to create a high-impact, digital-industrial texture. Its goal is to preserve recognizable letterforms while introducing a distinctive segmented pattern that reads as electronic or machined.
In longer text, the scanline pattern becomes the dominant rhythm, creating a strong horizontal motion across the line. The texture can reduce clarity at smaller sizes or in dense paragraphs, but it adds a distinctive identity for short bursts of copy and big typographic moments.