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Free for Commercial Use

Sans Superellipse Udnay 5 is a very bold, narrow, monoline, italic, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Aptly' by Shinntype, 'Amsi Grotesk' by Stawix, 'Manual' by TypeUnion, 'Maqui' by Typodermic, and 'Sugo Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, sporty, retro, punchy, energetic, playful, impact, compactness, motion, branding, display, condensed, rounded, soft corners, oblique, blocky.


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A condensed, heavy sans with softly squared curves and rounded-rectangle counters. Strokes keep a largely even thickness, with tight apertures and compact interior spaces that create a dense, poster-like color. The overall construction leans on superelliptical geometry: bowls and curves feel inflated yet controlled, with terminals that are consistently rounded rather than sharp. The oblique slant and narrow set heighten forward motion, while the numerals and capitals stay sturdy and compact for strong headline presence.

Best suited to short, high-impact settings such as headlines, posters, sports-related graphics, event promotions, and bold packaging callouts. It can also work for logo wordmarks where a condensed footprint and dynamic slant help fit longer names into narrow spaces, but it’s less ideal for extended reading because the dense counters and heavy color can reduce comfort at small sizes.

The face projects speed and impact, balancing assertiveness with a friendly, rounded softness. Its slanted stance and chunky forms evoke classic sports branding and mid-century display typography, giving it a lively, upbeat character rather than a formal one.

The design appears intended to deliver maximum visual punch in a compact width, combining rounded-square geometry with an oblique stance for motion and immediacy. It aims to feel contemporary yet retro-leaning, offering a friendly, athletic display voice that stays consistent across caps, lowercase, and numerals.

Contrast is minimal and the rhythm is driven by repeated rounded-rectangle shapes, which keeps words cohesive but can make small sizes feel busy due to tight counters. The glyphs appear tuned for bold presence, with compact joins and consistent corner radii that reinforce a unified, engineered look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸