Sans Faceted Wepy 1 is a very bold, very wide, medium contrast, upright, tall x-height font visually similar to 'Dragonite' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming, packaging, industrial, futuristic, arcade, techno, authoritative, impact, mechanical, sci-fi, display, branding, angular, chamfered, blocky, squared, modular.
A heavy, geometric display sans built from straight strokes and clipped corners, replacing curves with crisp chamfers and planar facets. Counters are mostly rectangular and tight, and the joins stay abrupt and orthogonal, giving the letterforms a machined, modular feel. Proportions run broad with compact apertures, and the rhythm is dense and punchy; round letters like O/Q read as octagonal/squared forms, while S and C resolve into stepped, angular paths. The lowercase follows the same construction with single‑storey a and g, and simplified, squared terminals across the set.
Best suited to headlines, poster typography, branding marks, game UI titles, and packaging where high impact and a mechanical aesthetic are desired. It works particularly well for short calls to action, labels, and tech/industrial themed graphics, and is less appropriate for long-form reading due to its dense counters and strong geometric styling.
The overall tone is rugged and synthetic—more “machine panel” than “humanist.” Its sharp facets and blocked-out shapes suggest sci‑fi interfaces, industrial labeling, and retro arcade energy, projecting strength and urgency rather than warmth.
The design appears intended to deliver maximum presence through a consistent faceted construction system—turning curves into chamfered planes and keeping terminals squared. The goal is a bold, engineered voice that reads as modern, game/tech oriented, and visually uniform across letters and numerals.
At text sizes the tight counters and squared-off diagonals can create a dark, compact texture, while at larger sizes the distinctive chamfer language becomes the main character. Numerals and capitals feel especially suited to short, emphatic strings where the faceted geometry can read cleanly.