Sans Faceted Kafa 7 is a bold, very wide, monoline, upright, normal x-height font visually similar to 'Sci Fi Bronze' by Fype Co (names referenced only for comparison).
Keywords: headlines, logos, posters, gaming ui, product labeling, futuristic, techno, industrial, sci‑fi, mechanical, sci‑fi styling, tech branding, impact display, systematic geometry, angular, faceted, octagonal, extended, modular.
A geometric sans built from sharp planar cuts and octagonal logic, where curves are consistently replaced by chamfered corners and flat segments. Strokes are uniform in thickness with squared terminals, producing a crisp, engineered silhouette. Counters are boxy and inset, and many letters use open apertures and segmented joins that emphasize horizontal runs and clipped diagonals. Proportions run extended, giving a low, wide stance; spacing is moderate and the shapes read cleanly at display sizes, with distinctive, slightly stencil-like internal breaks in several glyphs.
Best suited to headlines, branding, posters, packaging, and on-screen UI where a crisp sci‑fi/tech tone is desired. It also works well for titles, esports or gaming overlays, and product or component labeling where wide proportions and faceted forms can carry visual identity at larger sizes.
The overall tone feels futuristic and machine-made, evoking console lettering, spacecraft labeling, and late-20th-century sci‑fi interface graphics. Its hard facets and rigid geometry create a confident, technical voice that leans more “hardware” than “humanist,” with an assertive, action-oriented presence.
The font appears designed to translate modernist sans structure into a faceted, panel-cut aesthetic, prioritizing a consistent angular system over traditional curves. Its extended proportions and uniform stroke weight suggest an intent to deliver strong impact and immediate thematic signaling in display contexts.
The design maintains a consistent chamfer angle across letters and numerals, which helps unify the set and reinforces a modular construction. Diagonals are used sparingly but decisively (notably in V/W/X/Y/Z), and round forms like O/Q are treated as squared-off frames, enhancing the industrial cadence of the texture in text.