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Free for Commercial Use

Slab Normal Opla 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Dolmengi' by Ask Foundry, 'College Vista 34' by Casloop Studio, 'Gamarasa' by Differentialtype, 'Geogrotesque Slab' by Emtype Foundry, 'DIN Next Slab' by Monotype, 'Octin Sports' by Typodermic, and 'Winner' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logos, friendly, retro, sturdy, playful, bold, display impact, approachability, retro flavor, sturdy clarity, rounded, chunky, soft corners, bracketed, high ink-trap.


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A heavy, rounded slab serif with broad, soft-edged strokes and compact counters. Serifs are blocky and strongly bracketed, reading as cushioned terminals rather than sharp slabs, with subtly flared joins that keep the forms from feeling rigid. Curves are generous and slightly squarish, and the rhythm is steady with tight interior space, producing dense, poster-like texture in paragraphs. Numerals and lowercase maintain the same chunky build, with single-storey shapes and simplified details that prioritize impact over delicacy.

Best suited to posters, headlines, and attention-grabbing typographic moments where weight and presence are desirable. It also fits branding applications such as packaging, labels, and logo wordmarks that benefit from a friendly retro slab tone. For body copy, it will work most comfortably at larger sizes with generous leading to offset its dense texture.

The overall tone is warm and approachable, with a distinctly retro, display-forward personality. Its thick, pillowy serifs and rounded corners give it a playful, friendly voice while still feeling solid and dependable. The texture suggests a hand-inked or vintage print sensibility rather than a sharp contemporary polish.

The likely intention is a bold, approachable slab serif built for display impact while keeping an inviting, rounded feel. By pairing chunky serifs with simplified, soft-cornered forms, the design aims to read as both sturdy and personable across titles and branded messaging.

The design leans on heavy terminals and softened interior shaping, which enhances recognition at large sizes and in short bursts of copy. In longer lines the dense color and compact counters create a strong typographic presence, making spacing and size choices important for maintaining clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸